a propos of nada except that I keep filing this in strange places and then wasting time looking for it

Kurt Vonnegut’s eight rules for writing short stories:

  1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
  2. Give the reader at least one character he or she can root for.
  3. Every character should want something, even if it is only a glass of water.
  4. Every sentence must do one of two things — reveal character or advance the action.
  5. Start as close to the end as possible.
  6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.
  7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
  8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

I can’t remember where they were originally published, I’ve just got them on a scrap of paper here with me now.

Do you have any suggestions?

Reviewing isn’t one of my special skills, but I do like to do it. If nothing else, it sharpens your reading and helps you to see the flaws of your own work.

Added to this is my propensity for entering competitions (I never do win, but that seems not to stop me).

In the continuing spirit of entering every competition open to me (except Miss Universe, I’m not going in that this year – and no, no amount of pressure will convince me otherwise) I’m thinking of entering the ABR reviewing competiton this year.

Only thing is, the book you choose to review must have been published since January 2006. I haven’t read much recent stuff this last year or so. I’ve been reading a lot and a lot, but not so much recent stuff.

So, what’s something you think I could write intelligently about? Fiction or non-fiction.

PS I did think of entering this competition a few years ago so that I could write a review of All Things Bri**t and Beauti**l written about Adelaide by a former citizen of Adelaide. A more superficial and insulting book it has never been my misfortune to read. So there you go. That’s pretty much all I wanted to say about that book anyway.

PPS Please not The Gathering. I did read that, but I do not wish to review it.

PPSS Now that you know I’m going in it, you might want to consider entering – it’s quite good being in competitions with me, because you’ve got a good chance of winning.

Why I’m so slow (reason #zillion)

Every now and then, I write a really good sentence. One that is so balanced and so well-tuned, that I know I will never give it up. Sometimes, such sentences come out of the blue, but very often, they come after days or weeks of knowing the line is there, but not quite putting it down. These moments of resolution are fine moments indeed. The problem is, that I then spend the next three hours so caught up in admiring the sentence what I have wrote, that it becomes the only thing I do all day.

Don’t panic, don’t panic, don’t panic

I have been awake most of the night, fretting about a deadline I have to meet. The deadline is still weeks away, but there are two major projects with more or less the same deadline. And they are Very Important Projects (to me, not to humanity). Usually, I’m very good at balancing more than one project. I think it is how I work best, because there’s no time to waste, I am focussed and productive.

The problem at the moment is that both are at more or less the same stage. Which is: well-developed structure, good understanding of the characters, knowing where I want to end up, but very few words.

This is good, in that I do have a very clear plan, and that means I am (hopefully) working efficiently. By which I mean, not writing too much plot that will never be used. But I’m in that messy stage which, experience tells me I must muddle through, just getting the words down, imperfect though they will be. Most of what I write today will be discarded in the end.

Which makes it hard to see the progress. And also, I can feel the deadlines looming, and I don’t feel like I’ve got time to write words which will only be discarded. But if I don’t write them, then I’ve got no chance of getting to the words which will be kept. If you see what I mean. And it doesn’t matter if you don’t. I’m just writing this to trick myself into believing that I’m actually writing something.

And meanwhile, the shows on ABC kids that my boys are brave enough to watch will soon end, and it will be back to the bloody Uno.

If you need me, I’m in the garret, muttering must not vacuum cutlery drawer, must not vacuum cutlery drawer.

Why I blog

It was my blogiversary on Saturday. Two years of blogging.

I thought perhaps I would use the time to reflect on all that has happened over those two years, because they’ve been quite full-on years for me. But it was a crap post.

Then, after reading the thread at Pavlov’s Cat’s, I began to toil away at a bit of a ‘why I blog’ post, an earnest essay on the frustrations of reading irritating people whose basic argument seems to be ‘blogging has failed, because blogging hasn’t changed the world’. A comprehensive, annotated account of the very many things that blogging is and can be…

…but you don’t have time to read all that. And I wouldn’t be telling you anything you wouldn’t already know. And also, it’s December. I’ve got salads to make.

So, I’m going to tell you of one piece of blog-related news which has been very exciting for me. I took a post I wrote sometime ago, added it to another post, wrote some more around it, submitted it to a journal, they accepted it, and now, it is included in Best Australian Stories 2007. I can’t tell you how very excited I have been about that.

That’s not writer’s block, that’s just a very

I’ve been doing that thing where you set your timer then write like the clappers until the bell rings. It’s what you do when you don’t know what else to do, but you know you have to do something. And that’s how I know I’ve just spent twenty minutes refreshing bloglines, checking comments, updating my facebook status, eating an apple, finetuning the radio, picking at the piece of stickytape on the windowsill, making another cup of tea, flicking through the mail and so on.

Talk to you again in twenty minutes time no doubt.

While I wasn’t watching Dr Phil

I’m sure you already know this, but just in case you don’t, I’m going to tell you what I have learned over the last day or so.

You can try too hard to make a piece of writing do too many things. You can stop reading there if you like. Or you can cast your eyes down through the explanation below. But warning, it’s a much longer post than I expected it to be.

I’m working on two writing things at the moment. Two main things anyway. A new novel (new novel: that’s gotta be tautology) arrangement which will be this collection of short stories which all become one story in the end – nothing that hasn’t been done before in some guise or other, but I’m enjoying it. As I go, I’m also working out how to create a sustainable piece of web fiction, with the intention of creating a novel and a related fiction blog. I don’t know that the web-based stuff will be particularly cutting edge, because my storytelling is very word-based (I don’t know much about pictures and so on), but still it is interesting and a little bit new. And that’s going very well. Thanks for asking.

The second thing is what I told you about yesterday. This play which I was going to write through the process of standup. And what a pickle I got myself into. Didn’t I?

There is a lot of reasons for the emergence of that pickle.

The simplest reason is, that as elsewhere has commented (even as I have been writing this post), competitions can be something of a distraction. They distract you from the path you were on, and you begin to reshape your work in unnatural ways. Now please, do not read this as me saying that government funding and competitions and that type of thing mean that people write what they think they need to write to get the funding or win the competition. It happens, I’m sure. I’ve heard people say that’s what they did. But I’m equally sure that what generally, more often happens is, as elswhere has succinctly said, you decide what needs to be done, then do it. And, because it comes from your heart or your soul or wherever it is your creative pieces come, then you have a better chance of winning the funding or the competition which happens to be around at around about the right time (which is rarely going to be in the early stages of your first draft). If you are at the right stage of your project at the time of a deadline, or if you have anticipated the deadline with more than two months to go, it (the deadline) can give you particular focus and, importantly, a sense of achievement. A most elusive, but powerful, thing. Not that I’ve ever won a competition, or been involved in their administration, so you shouldn’t really be taking my word for it.

There are more substantial and complex reasons though, for the pickle in which I found myself. Because after several years of being singlemindedly focussed on a singular goal, over the last year, my focus has broadened. And perhaps, slightly changed. You see, this standup comedy thing wasn’t in my plan. Not that I had an articulated plan as such, with three month, six month, one year, five year goals. But I did have a vision of who I would be, should everything go my way. I would be a writer, and very particularly, a novelist. And in the year or so before I had my first child, I had a few good nibbles, and a bit of an idea that I could maybe make it happen. Maybe. Enough to make me think I should give it a try.

Now, while having children obviously inhibits writing in very many ways (let’s not even pretend that we can count them), there was an unexpected bonus (and no, not that monetary vote-buying one which I never got and anyway my vote isn’t for sale). It has given me time to hide myself away a bit and have a little stab at writing things – novels – without having to talk too much about it with anyone (except, obviously, the internet).

That’s one of the reasons I’ve been happy to have things – professional career-type things – on hold while I had young children. So I could spend time with them and chip away at writing a novel. When I say happy, of course, I mean happy interspersed with intense, and often long, periods of frustration and boredom and worry about the gurgling sound of my career and so on thrown in. But I’ve been more or less happy, because I thought I was gathering all of my momentum and ideas and then, as both my children went off to school all the groundwork would be done and I would hit the ground running. And get my novel done, so that before anyone noticed I wasn’t really doing anything, I could give them an invitation to my book launch and they would say oh and I wouldn’t have to explain myself anymore.

Of course, it was never going to be that easy. Not really. But it was a plan. A solid, focussed plan.

But then I started performing comedy and having fun while I was doing it. My plan is now much less clear than it was and I have more decisions to make than I thought I would.

Writing a novel – especially your first one, with no idea whether or not it is good or will see the light of day – is a lonely experience and to a large extent it is feedback-free. Word after word after careful word all without an audience. Except the mister who, let’s face it, is biased. So in a way, standup has come as something of a relief. Of course, it takes a loooong time to write a joke, but, once written, the feedback is immediate – for better or for worse. And I can’t tell you how good it is to make people laugh (conversely, I can’t tell you how awful it is making people sit there with their arms folded waiting for a laugh).

And that is why I started trying to do too many things. To make small pieces of writing be too many things. Because all of a sudden, I want to do two things, instead of one. And that is why I need to re-focus myself, and why I have defined two projects. The novel – as described above – andthis standup story (working title After Hours Shoot about a librarian who is dead, but nobody has noticed). If, in the process of writing that, I end up with something suitable to enter in this competition, then I shall submit it. Otherwise, I shan’t.

Once I let myself make that decision – on the way into school this morning – then I had two quite productive hours this morning. And then, it was back on the preschool/school pickups again, and making lunch, and playing soccer, and admiring plasticine sculptures and so on and so forth.

Of course, written like this, in a few neat, if rambly, paragraphs, it all seems more straightforward than it really is. Because none of this is likely to make me a living. Or help me reduce my (current) financial dependence on the mister (and, yes, I know, we all make different contributions to relationships and so on and so forth, but committing to financial dependence was not something I was ever expecting to do).What of my career? I mean, I thought I was going to spend my life working for development agencies, and I like being on boards. But I can’t look after young children, and work at a job, and think about strategic directions, and write another manuscript – some people can do all those things, but I can’t. I thought I could, but I can’t. Not with everything else that comes with being part of a family and having friends, and so on. And so forth.

All of this is a rather long-winded way of saying: that idea I had, to try and have it all, to save time and so on…that’s not a bad idea. It’s possible. It might work. But it’s not a practical plan.

I should’ve stopped at one coffee, shouldn’t I?

So at the moment, I’m writing this play.

It was this idea I had, because I have such limited writing time, that I would write this play using my standup gigs as an opportunity to test things out as I went along. And it would help me to get a start on writing my first full length show now that I’m on this weird standup comedy path which has taken me by surprise, but seems to be something I am beginning to really enjoy.

I was going to enter the play in this competition (I really must write one day about the impact of competitions on my life, because I think they are an interesting phenomenon), not because I thought I would win, or would even be in with a chance – I’ve never written a play before – but because of all the benefits you do get from entering competitions (for example, deadlines). As I say to the mister, over and over again, you can’t underestimate the power of a deadline.

But it seems perhaps you can. Underestimate that power, I mean. I really don’t think I’m going to get it done. It’s just the thing that in between everything else keeps getting pushed to the back of the line. Over the last week, I’ve been thinking look, just give the idea of the competition away and give yourself time to do it properly, but then last night when I wasn’t really watching Australian Idol, because I couldn’t bear it, but couldn’t stop watching it (and if I wrote that post about competitions, I would tell you why I have a bit of a love/hate relationship with it), I was reading 1001 Movies You Must See Before You Die and I see where Sex, Lies, and Videotape was ‘written in just eight days’. But then, I’m no Steven Soderbergh, and he probably didn’t have to pick the children up from school at three o’clock over the course of those eight days.

Plus, I’ve had two coffees today, and I can’t concentrate. Which you might be able to tell from the range of incoherent thoughts in those sentences and paragraphs above.

So, now I don’t really know what to do with these three hours which I have blocked out for this play and which must not, under any circumstances, be used for anything else. Not acupuncture, not phone calls, not other writing projects. And definitely not for defrosting a pot of that rather delicious potato soup and buttering a piece of that rather delicious fresh bread and then sitting in front of Dr Phil.

UPDATE: the soup is just a leeetle bit lemony

Home again

‘Oh, three weeks,’ I say breezily when people ask me how long I’ll be away.

Three weeks?’ they ask. And then: ‘are you taking your children?’

I shake my head, because it softens the No, which, as you can see, is a much harsher word if you say it with a capital N.

It went like this: meeting in Perth for three days; home for one night, then on a plane to Tasmania where I stayed here as part of this programme; then on a plane (or, as it happens two planes, one of which was terribly, terribly small and a little bit chilly) to Canberra to go in this comedy competition; and then, early the following morning, I got on a bus to drive across the Hay Plain and ended up back in Adelaide.

As my children themselves would say ‘that’s not really for children’.

When I’m away from my children I do feel a kind of disjointedness, a vague restlessness, a need to keep moving forwards to the time when I will see them again. I miss them. I ring them every day and wallow in their voices, long for a cuddle with them, look at their photos for hours at a time. But I also observe of myself, a certain distance from the missing-ness. I’m not sure how to articulate this, and I’ve been trying to put it into words all day. I’m not going to judge how much I love them by how much I miss them. Nor am I going to make any judgement about myself as a mother in relation to others on the basis of how much I miss my children when I’m away, because…well, because it’s pointless and doesn’t help me to answer the questions I’m asking of myself. After a few basics have been covered, there are so many differences in being a mother that you just can’t afford to judge yourself in relation to others. Like the sign on the back of my grandmother’s toilet door said in some kind of rhyming prose ‘there will always be someone better than you and always someone worse’ (there was also a poem about bowls which ended ‘what he could do with kitty, I could do with jack’ and so I think from that you can guess quite a bit about the rest of the house).

So the best I can come up with is the rather obvious observation that we all miss our children in different ways, because so many people, when I tell them I’m about to go away say ‘I could never do that’. This means a whole lot of things I know, including ‘I would miss them too much’ as well as ‘there isn’t anyone else who could look after them for all that time’ as well as ‘that really sounds like a shit way to spend a few weeks why on earth would you take three precious weeks of your life and flush them down the great toilet bowl of the past in such a fashion’.

I can make any number of sensible justifications for trips away. For example: you try starting a new novel when your study has two doors which make a perfect circuit for little boys to run around. Or this one: it’s my trade-off instead of going out to work two or three days a week (two days a week for one year being the equivalent of a few weeks away). But obviously I don’t really need to make the justifications to myself or I wouldn’t do it. I wouldn’t go away. I mean, I applied for the residency. I accepted it with much excitement. I quarantined the time and protected it ferociously as I thought over and over to myself during the last six months ‘it’s all right, your quiet time is coming, July will be here soon’.

Three weeks was a long time. The longest I’ve been away. And for the first time, I did cry at the airport (in between Perth and Hobart). But it’s been a bit of an emotional year, so I’m not convinced that was all about missing my boys.

In Hobart, I lived by myself. Like, I was the only person in the cottage. The bedrooms, loungeroom, kitchen, bathroom were all for me. Just me. It was pretty strange at first. I met the mister when I was eighteen and we moved in together when I was twenty two, so you can see that I’ve not lived by myself very much at all. Also, there was no television and no internet (I’m thinking of making a t-shirt). And, like I said, it’s been a bit of an emotional time around here. I’m in control of the shadows, but I have to work at it. So I was very glad for the mister’s company when he came to visit for a few nights on his way home from a meeting in Melbourne. And there were some very special uni friends who took good care of me. But mostly, I would say that I liked being by myself.

I’ve always been happy enough with my own company. It comes with the territory of being a bit of a book nerd I guess. I like parties, but I like being by myself too. I like it a lot.

It wasn’t really like living by myself, of course, because it wasn’t real life. What I liked most was that I didn’t have to make any decisions for anyone else. I didn’t have to think about what people were going to wear or to eat. I barely had to make any decisions for myself. It wasn’t my house, so I didn’t have any cluttered cupboards to niggle at me. I had so few clothes that the washing was a simple matter of a load every few days. I had no garden of rampant soursobs to make me think ‘I really must get on to that’.

All there was to do was think and write and delete and think and write some more.

That’s not real life, but it was a lovely, lovely interlude.

The solitude. I liked the solitude.

I was happy to be home. My youngest boy said ‘I’m so excited I’m going to go upside down’ and then did a handstand on the grubby lounge, and it made me laugh and it still makes me smile. It’s been a gorgeous weekend of boys cuddling my legs for no reason at all. It’s good. It’s good to be home.

But being back amongst it all, amongst the races, the jumps and the screams, it makes me know that I really did enjoy the last few weeks. And if I can, I’ll do it again.

It’s probably because I had caesareans.

PS I will write about the guilt another day, because I find that a most fascinating thing.